Utmost bias, the film The Lobster It was more a movie expected at all on my list among all films shown in the Panorama of the European Film this year, not only in my interest in the film, the good reputation achieved in the last festival sessions was International Film Festival and won the outstanding Jury Prize, but also because of my passion for extreme technical project adult privacy that works by Greek director Yorgos to Ancimus both in this film, which is his first English-speaking
or in his films of former Dogtooth and Alps.
Again, Ancimus again to continue what he started in his previous films of dismantling and mockery of the idea of power within a very surreal frameworks that allow him to carry the idea of power to the fullest extent possible her or rather to the more extreme scenarios have been may not occur to humans, which is probably what I feel a lot of viewers are very shocked by the image of extremist non-traditional, which provides for the Ancimus parental authority in Dogtooth to turn into a scary and shocking work despite the tone of irony, which is beset with, or the degree to which it can be for a person to voluntarily before pulverizing power in the Alps.
In The Lobster, for Ancimus imagine a world scary in a mating between Aldeztobia and Surrealism in which power this time can simplify its power and its might on the emotions, where passion transformed from something felt by one's own steam into something a duty to be done in order to satisfy the authority that does not see in Unity or celibacy useful options to its members under its sole discretion, if you did not find the love of power as you want to and not as one wishes, will detach from his humanity -hrvia- by converting it to an animal because he is no longer worthy of them to remain.
In more than a trend, I feel by watching that Ancimus greatly appreciated the work of the late Czech writer Franz Kafka, especially my novel (or shift Alanmsak) and (the trial). The film touching with several of their distinct areas: the Association of brotherhood University between David (Collin Farrell) and his brother, who turned to a dog after failing to find a partner emotional-like relationship of brotherhood which brought together Gregor Samsa turned into a huge insect between his sister in the novel (shift), the idea of transformation From a human entity to entity other than a human is the idea of Kavkkawih par excellence and I found a lot of echo her at each of the affected Bkavka, big crunch suffered by David in front of power and suffering with them, whether those who impose their concepts of love or of Tmroda and imposed Allahab on their personal items touching with the suffering of Joseph K. . The infinite within the novel (the trial).
But we do not need to say as well that the use of the narrator's voice on the audio tape gives the film the whole flavor similar to the flavor Alomtholah Allegory upon which Franz Kafka's work even with our discovery later to personal narrator (or the narrator), a short-sighted woman (Rachel Weisz), which has registered her lover David experience In order to find a new darling in the hotel before they found each other, and change the function of the narrator than just a narrative by assets Alomtholh to record live to experience.
To Ancimus does not stop in his idea in front of the power that holds in its hands all the strings only, because this will be the bulk of his criticism of the head only of power, while the cover with any attempt to impose a specific idea on a group of people and turn them into power, and becomes the ruling power and dissidents it here completely equal in the each to impose his vision of what should and should not be in human relations, and because the dissidents only ones responding to the idea of emotional imposed by imposing the exact opposite of relations, which is not participating in romantic relationships at all, to become a valid choice between love or Allahab, sex, Allajns, and becomes the victim here in This struggle for the imposition of authoritarian ideas citizen is contrite and humanitarian Mstalp between them along the lines of the citizen as Joseph. In the novel (the trial).
In such a film, it will greatly facilitate the launch manifestations of dispossession humanism of Rights, a concrete command on both sides of the conflict, in the first aspect sex turns into something mechanical and completely to the soulless and without even any form of pleasure, but Ancimus emphasizes this sense of visually During several scenes meant to be poetic, thanks lit dimly lit, but the sex act itself is to lug around and annoying, not to mention the imposition of the idea of love through templates Reserved across Funny scene had me doing organizers of the hotel with a view to raising awareness of the importance to have you as a partner / her emotional .
That portray the sexual act as such a fearsome and Almstalp true to his spirit is what drives us to understand the motive behind the extreme option that tendency of the leader of the only group (Leah Sado) to prevent any emotional affinity which represents a radicalization of the opposite has practiced and called for any vulnerable group is trying to gain the some of the power that the power that resist the demolition of any inheritance is relevant to them, to remain is the other thing to take away the true nature of man, and I find a great example of that is stronger than the wonderful and ironic scene where everyone from lone alone dancing as he listened to music through earphones.
With live with two conflicting (power and authority anti), in front of the citizen contrite does not remain only a few solutions on the fingers of the hand, but are only two solutions: the first is to keep pace with the system by the practice of hypocrisy as he did the man lame (Ben Shaw) who fake injury Balraav ( Nosebleed) to succeed in the link infected woman actually Balraav to survive Anslakhh despite his nose for his humanity, and the second solution is free from the control of all the authorities even if it means giving up one's most cherished things owned, as happened with the short-sighted woman.
We do not know most of the heroes of the film, if not all any names at all, we only know them the most important what distinguishes them from physical characteristics from the others and easy-come to mind indulging in emphasis on the idea of humanitarian usurped because of their conversion to just Anvar, which is the same thing that practiced for Ancimus with all members family in the movie Dogtooth or with a group representation of the Dead figures in the Alps, while carrying all of them one of the Alpine name.
All of these aspects already mentioned about the usurpation of the human sense of keeping them for Ancimus through his way of directing actors, where everyone succeeds in delivering this sense that every word Alfezunha artificial and prepared in advance and reserved deliberately, as if the words issued by the robots were introduced words into their systems software and are not human beings feel the taste of each word.
What I like so much in Ancimus is having both a sense of sarcasm and the ability to payment of the feeling of shock that you see, that everything you know turns and getting used to it and softened in your daily life into something scary and handle and stranger than you know actually, quiet colors that come mostly from the cold colors, preferably use established this strange sensation. The taste of his earlier work is still there shall not pass away here, but The Lobster probably outperform from my point of view about them, and it is superior to the same Ancimus the same amount.
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